Abstract
This extended abstract presents the first stages of a research on in-painting suited for art reconstruction. We introduce M.C Eschers Print Gallery lithography as a use case example. This artwork presents a void on its center and additionally, it follows a challenging mathematical structure that needs to be preserved by the in-painting method. We present our work so far and our future line of research.
Abstract (translated)
URL
https://arxiv.org/abs/2109.02536