Abstract
Despite the rising popularity of immersive audio, binaural music remains underexplored in music information retrieval (MIR), particularly regarding the task of music source separation (MSS). While existing stereo MSS models can process binaural audio, they often degrade the spatial quality of the separated stems and undermine listener immersion. Through a perceptual study comparing binaural and stereo MSS outputs, we evaluate how well objective spatial distortion metrics correlate with human perception. Our findings reveal varied agreement between these metrics and human judgment, highlighting a lack of reliability when used to evaluate binaural music tasks. Specifically, we find that Interaural Time Difference (ITD) estimation is highly sensitive to noise and separation artifacts. In evaluating two alternative ITD estimation methods, we uncover a critical trade-off between robustness and accuracy, particularly for narrow-band instruments like bass. These results underscore the need for accurate, interpretable spatial metrics designed for binaural music to develop models that preserve source localization and listener immersion.
Abstract (translated)
URL
https://arxiv.org/abs/2607.25919
