Abstract
Current real-time AI improvisation systems lack the communication awareness human musicians rely on: rather than treating communication as a foundational algorithm design concern, most systems layer interaction strategies post-hoc onto generative algorithms through explicit controls and predefined modes. This gap persists in part because no formalized, machine-readable communication model with musicians exists. To address this, we study how expert musicians communicate in free (non-idiomatic) improvisation, unconstrained by prior discussion or agreement. Through a collaborative co-design process with expert improvisers, we derive a communication model that (1) captures how free improvisers negotiate musical ideas and enter stable musical spaces, and (2) is formalized as a machine-readable annotation scheme. We further present the H2H (Human-to-Human) Music Improvisation dataset: six hours of audio-visual expert duo improvisations with clean per-player stems and per-player annotations of both their own intentions and their perception of their partner's intentions. To our knowledge, this is the first such dataset for free improvisation. Together, the communication model and the dataset offer a new lens and resource for studying musician communication and may in future inform the design of AI musical partners that communicate by design.
Abstract (translated)
URL
https://arxiv.org/abs/2608.13957
