Abstract
This paper investigates the generation and human evaluation of Japanese haiku by contemporary Large Language Models (LLMs), focusing on authorship perception and aesthetic judgment within a constrained poetic form. Using a few-shot prompting strategy, Japanese haiku were generated across a heterogeneous set of large language models, including open- and closed-source systems, medium-scale and large-scale architectures, models with native or adapted Japanese support, and multilingual proprietary models. These AI-generated haiku were combined with human-written ones and presented in a questionnaire distributed to students at Japanese universities in Tokyo. The survey assessed whether respondents could distinguish between AI-generated and human-written haiku and which cues informed their judgments. Recognition accuracy varied across models. GPT-5, Gemini 2.5, and StableLM-7B performed at approximately chance level (approx 0.50), whereas LLM-JP, Gemma-2B, and LLaMA-2 showed moderate detectability (approx 0.59-0.67). However, recognition was strongly item-dependent. Ratings of fluency, coherence, poeticness, and related aesthetic dimensions predicted perceived humanness but not correct classification, indicating an attribution bias linked to aesthetic evaluation and revealing a dissociation between aesthetic evaluation and true authorship detection. The extended analysis additionally examines generation-constraint adherence, participant-level characteristics, and exploratory LLM-based evaluations of haiku authorship. Overall, the findings suggest that as LLMs improve, surface-level creative plausibility may reduce reliable human discrimination within constrained poetic settings.
Abstract (translated)
URL
https://arxiv.org/abs/2609.15511
