Abstract
Studio recording techniques vary considerably, ranging from live recordings in a shared acoustic space, to isolated booth recording and overdubbing, where musicians record their parts separately, while listening to previously recorded material. These approaches differ in terms of physical co-presence, visual contact, sound leakage, and acoustic isolation, factors that may influence musical coordination. This study investigates whether the recording style affects timing precision; specifically, whether musicians performing together in the same space achieve tighter temporal coordination. To address these questions, two datasets with a total of 391 multi-track recordings were analyzed to measure the timing relationships between musicians. In addition, an automated sound-leakage detection method was employed to infer the recording conditions of each song: pairwise Mel-spectrogram similarities between the tracks were computed, and summary statistics from the resulting similarity matrices were used to identify recordings with shared acoustic content. The results suggest that recordings showing evidence of shared room acoustics and sound leakage tend to exhibit lower timing variability than highly isolated recordings, whereas overdubbing is associated with increased timing variability.
Abstract (translated)
URL
https://arxiv.org/abs/2609.13881
