Recent Phonetic Foundation Models (PFMs) for Speech-to-IPA transcription rely on Grapheme-to-Phoneme (G2P) labels, but the phoneme labels are not necessarily phonetically faithful. To investigate this issue, we evaluate zero-shot phonetic classification on Chinese aspiration and Japanese moraic nasals. A PFM trained on G2P-labeled data excluding these two languages yields poor accuracy on both tasks, showing that multilingual coverage with discrete IPA tokens is not sufficient for unseen settings. To overcome this limitation, we propose a classification method based on continuous Articulatory Feature (AF) vectors extracted from each frame. This AF-based approach outperforms discrete token-based methods, particularly for rare phones. We further show that it is crucial to adopt the optimal temporal aggregation of AF vectors for the target distinction: single-frame classification is best for aspiration, while segmental classification substantially improves nasal classification.
https://arxiv.org/abs/2607.23606
Music Source Separation (MSS), the task of recovering individual sound components (stems) from a polyphonic mixture, is central to applications ranging from karaoke and remixing to audio restoration and content production. The separation quality depends on engineering decisions across the entire pipeline: model choice, training data preparation and augmentation, loss function and metrics choice, training configuration, validation, and post-processing. This paper presents MSST (Music-Source-Separation-Training) - a universal open-source framework for MSS tasks, which unifies training, validation, and inference for a broad range of modern demixing model families under a single, configuration-driven interface. The framework supports various model architectures, data preprocessing and augmentations, multiple loss functions and evaluation metrics, which helps with fast iterations and ablation studies. Additionally, the framework supports a range of practical techniques that improve separation quality, such as sliding-window inference with cross-fading, test-time augmentation, model ensembling, and fine-tuning via Low-Rank Adaptation (LORA). Our ablation studies demonstrate improvements of MSS using the above techniques. By consolidating these components into a reproducible, YAML-configurable framework, MSST lowers the barrier to systematic experimentation and enables rapid iteration from idea to verifiable result.
https://arxiv.org/abs/2607.23395
Recent work in Human-Computer Interaction (HCI) increasingly treats AI models as design materials that have distinctive computational properties to shape design artifacts. Artists learn to work with the model "at play" to explore their emerging properties. The aim of explainability, in this view, is to make visible a crafting and hacking space to enable sustained creative practices with AI. In this chapter, we propose material explainability as a range of activities and artifacts that transform AI models into accessible and inclusive design materials in the workspace of artists, designers, and makers. We present a case study of building a repository of resources to enable artistic explorations of neural audio models in New Interfaces for Musical Expression (NIME) design. Reflecting on our community-building journey and the making of a collection of musical interface designs with a group of artists, we raise three recommendations on enabling the exploration of AI as materials in artistic practices to inspire future XAI design for artists.
https://arxiv.org/abs/2607.23309
Image-source-method (ISM)-based room impulse response (RIR) simulation is a useful and physically interpretable tool for acoustic scene modeling, but full-order ISM becomes computationally expensive as the reflection order and room complexity increase. We propose a physics-guided framework for fast RIR simulation that preserves the geometric structure of ISM while learning to retain only acoustically important image-source paths during online traversal. To recover energy removed by pruning, the proposed PathRIR uses a lightweight compensation multilayer perceptron to predict the missing late-tail energy envelope and generate a compensation tail whose energy follows that envelope. Experiments on irregular 3D rooms show that PathRIR reduces image-source computation and improves runtime efficiency over a full-order ISM simulator, while achieving low waveform- and decay-related errors. Ablation results show that adding the compensation tail improves waveform fidelity and reduces energy-decay-curve error, reverberation-time error, and direct-to-reverberant-ratio error, with modest runtime overhead.
https://arxiv.org/abs/2607.23293
Infinite Canons is an ongoing series of canons with infinite solutions. More specifically, each canon is based on a melodic line that can be combined in any number of voices, at any tempo ratios (rational or irrational), and with each voice moving either forward or in retrograde inversion, while maintaining harmonic consistency. This paper describes the structure of these maximally self-similar melodic lines based on two different constructions: 1) a discrete prime-factorization approach yielding self-similarity under all rational ratios, and 2) a continuous logarithmic approach extending this to irrational ratios. In both cases the vertical interval between voices in a tempo ratio of $\lambda_i / \lambda_j$ is given by a homomorphism $\phi(\lambda_i / \lambda_j)$, which is a constant independent of time. Furthermore, under these constructions retrograde inversion collapses to transposition, allowing for all manner of table canons. These structures are demonstrated with suggestive realizations of several different infinite canons. Future work includes a more complete mathematical treatment, musical applications, and an interactive program that allows users to explore an unlimited number of realizations of these pieces.
https://arxiv.org/abs/2607.23210
Sample retrieval tools can help composers find harmonically compatible material, but querying from a fixed reference sample becomes less informative as arrangements evolve and the harmonic context shifts with each musical decision. We present Reflector, an interactive audio workstation that tracks harmonic combinations as they accumulate on the composer's timeline and adapts retrieval as the arrangement develops. The system is organized around a fixed interval-class oracle: a hand-designed table of weights that scores how pitch-class content combines between sources. An encoder trained entirely on synthetic audio learns to approximate the oracle in a 128-dimensional embedding space, where dot products stand in for compatibility scores at interactive speed. As the composer arranges material on a multi-track timeline, a sweep-line analysis discovers co-sounding regions, computes oracle-weighted centroids, and retrieves against the composite harmonic identity of the session as it evolves. Session centroids projected into a navigable 3-D space reveal structural harmonic relations across the composer's body of work. This paper is a systems account: we give the design rationale for each architectural decision, characterize Reflector's behavior through intrinsic measurements on a working sample library, and describe the implementation. The characterization yields a central finding: the learned embedding preserves the kernel's pairwise judgments while covering the whole library, something the kernel cannot do when used directly as a retrieval rule, because the embedding's normalized geometry cannot express the degenerate solutions that direct scoring favors. The entire pipeline runs locally with no copyrighted training data. Reflector is free, and the training pipeline is open source.
https://arxiv.org/abs/2607.22413
Most educational technology for children is built around visual interfaces, which excludes the many children worldwide who live with visual impairment -- an estimated 1.4 million children are blind and many more have low vision. We present Kutti AI, a voice-first learning companion designed so that audio is the primary and sufficient interface: children learn curriculum concepts through spoken conversation, respond by speaking, and receive spoken feedback, with no reliance on visual elements. The system contributes three practical mechanisms for accessible, adaptive learning on commodity mobile hardware: (1) a multi-signal struggle-detection engine that combines response-latency analysis, wrong-attempt tracking, and keyword-based hesitation detection to decide, in real time, when to offer hints or simplify a question; (2) a multi-layered cross-language answer-matching pipeline that combines language-aware translation/transliteration, Levenshtein-based fuzzy matching, and text normalization so that children are not penalized for code-switching or pronunciation variation; and (3) an offline-first speech pipeline using an on-device automatic speech recognition (ASR) model, enabling use in low-connectivity settings common in underserved communities. We describe the architecture, the interaction flow, and the design decisions that prioritize accessibility, and we report qualitative observations from a hackathon prototype supporting English and Tamil. We discuss lessons learned and outline a path toward formal evaluation with target users. Kutti AI illustrates how a small, carefully-engineered voice-first system can lower both accessibility and financial barriers to early education.
https://arxiv.org/abs/2607.22377
Synthetic data augmentation in speech is common practice for linguistic tasks like ASR, but has seen far less work for paralinguistic ones, especially clinical tasks where labelled data is expensive and some patient groups are underrepresented. Voice cloning is one such augmentation approach, but is typically evaluated on speech intelligibility (WER) or speaker similarity (SS) rather than on downstream performance, and it remains unclear whether these preserve the paralinguistic signal such tasks depend on. We benchmark eight voice cloning models on five paralinguistic tasks across public and clinical datasets, showing most preserve signal with modest degradation. We then clone English clinical speech into Japanese and find that training on cloned data outperforms raw cross-lingual transfer for depression and anxiety detection on real Japanese speech, suggesting voice cloning is a promising direction for augmenting clinical speech data in low-resource languages.
https://arxiv.org/abs/2607.22304
We present a self-supervised acoustic eavesdropping attack that reconstructs typed text solely from keystroke sounds, without requiring labeled data for the target device. The proposed attack enables stealthy eavesdropping in two real-world scenarios-physical spaces (public and semi-public) and online meetings. Our method combines unsupervised acoustic clustering with Transformer-based language model inference and iterative self-training, enabling stable character inference under highly uncertain acoustic-to-character mappings. We demonstrate that the proposed method achieves over 99% reconstruction accuracy with only 100-150 observed keystrokes under a close-proximity recording setup using a smartphone placed near the target device, significantly outperforming prior unsupervised baselines in low-data regimes. We further evaluate robustness across multiple laptop platforms and in realistic acquisition channels, including distance recording from approximately 3 meters away on the same desk, through-the-wall eavesdropping with a contact microphone, and background keyboard noise in online conferencing systems. Across these scenarios, the proposed method achieves high reconstruction accuracy (often exceeding 90%) with approximately 150-250 observed keystrokes. These results indicate that accurate text reconstruction from keystroke sounds is feasible in practice under an audio-only setting, even with limited observed keystrokes and without requiring device-specific labeled data, highlighting a realistic and previously underestimated privacy risk.
https://arxiv.org/abs/2607.22094
Autoencoder-based anomalous sound detection is attractive for machine condition monitoring because it can be trained using only normal recordings and yields an interpretable anomaly score from reconstruction error. Most prior work uses spectrogram autoencoders, but reconstructing detailed time--frequency patterns is sensitive to noise and transients, and models can reconstruct some anomalous inputs well, weakening normal--anomaly separation. We propose MemNMF, a constrained reconstruction method that operates on the Linear Predictive Coding spectrum, a compact estimate of the spectral envelope. MemNMF initializes a memory module from an NMF dictionary learned on normal LPC spectra and reconstructs each input as an attention-weighted combination of prototypical normal spectral patterns. Experiments on MIMII and DCASE 2020 Task 2 across multiple machine types and operating conditions show that LPC-spectrum inputs improve a standard autoencoder baseline and that MemNMF yields further gains, with especially strong robustness under noisy, non-stationary settings.
https://arxiv.org/abs/2607.22086
Joint Embedding Predictive Architectures (JEPA) have recently emerged as a paradigm for learning world models by predicting latent representations, offering a promising direction for self-supervised learning. While initial attempts have applied JEPA to the music domain, it remains unclear how such frameworks can naturally support the formation of a world model for music. In this work, we propose to learn a world model of piano sound using JEPA by framing music as an action-conditioned system: the audio is treated as the state, and the pianoroll as the instrument action. Given a current audio state and an action, the model predicts the resulting future audio state, mirroring how humans learn musical sound through interaction. The model is trained in a fully offline setting using paired audio-pianoroll data, without environment interaction. Experiments show that the learned model captures the relationships between musical actions and their resulting sound. The resulting representations support downstream tasks, including beat tracking, composer identification, and key estimation, and enable piano transcription via planning, by searching for actions that best explain a target sound.
https://arxiv.org/abs/2607.22000
Omni models transcribe clean, single-speaker speech well, but their accuracy drops sharply when speakers overlap and the scene is noisy, exactly where knowing who said what matters most. A natural fix is a short scene description. We show why this is risky: answer-bearing text lets the model copy instead of listen, so the score rises although nothing has been heard; a silent test exposes this shortcut at once. We call this failure mode perception bypass and address it with Audio-Grounded Scaffold Context (AGSC). AGSC links three steps: first, we build clues from audio to guide listening without giving the answer; second, answer-overlap and silence tests probe them for leakage and audio dependence; finally, those clues scaffold training but vanish at test time, yielding no-clue capability. Across three heterogeneous Omni models, training on AGSC lowers no-clue capped mean permutation word error rate (mpWER) on overlapping, noisy speech from 25%-71% to 9%-15%. For streaming control, we formulate a joint GDPO task in which the model learns when to use a clue and how to produce a speaker-attributed transcript from separately normalized format, gate, and transcript rewards. After internalization, AGSC adds almost no inference overhead.
https://arxiv.org/abs/2607.21943
Real-time score following from sheet images remains chal- lenging because the model must process streaming au- dio while resolving highly repetitive visual patterns un- der strict latency constraints. Recent image-based meth- ods have attempted to use multi-resolution prediction by simultaneously predicting the positions of the active sys- tem, bar, and note. However, their predictions across these different levels of notation are independent, which makes the predictions unstable and introduces unnecessary ex- tra search space for bar- and note-level predictions. Most existing methods also lack mechanisms to recover from score discontinuities, such as repeats, da capo (D.C.), or coda jumps. This paper proposes CODA, to the best of our knowledge, the first real-time score following system that addresses both gaps. CODA explicitly exploits the cascaded structure of music scores: it first selects the ac- tive system, then the active bar within it, and finally the active note within the selected bar. This enforces pre- diction consistency across resolutions. A silence-driven break mode enables recovery from arbitrary score discon- tinuities without requiring knowledge of the repeat struc- ture. Evaluated on the Multimodal Sheet Music Dataset (MSMD) piano benchmarks, CODA achieves state-of-the- art tracking accuracy and discontinuity-recovery perfor- mance under real-time throughput. Code is available at this https URL.
https://arxiv.org/abs/2607.21899
We present an agentic soundscape construction framework for controllable compositional audio generation that makes explicit the scene planning, source selection, temporal layout, and rendering steps typically handled implicitly by single-shot text-to-audio models. An LLM-based agent converts user intent into an executable scene plan, acquires assets through retrieval and on-demand generation, renders controllable multi-event mixtures, and exports aligned scene metadata. The framework also supports human-in-the-loop interaction through user-guided tool selection and editable scene plans. Together, these components provide an inspectable and reusable approach to controllable soundscape synthesis and scalable audio-language data construction. Listener studies and objective metrics demonstrate competitive generation performance against text-to-audio baselines, while models trained with agent-generated data consistently outperform real-only baselines in downstream audio reasoning. Code, demos, and listening-test results are available at this https URL.
https://arxiv.org/abs/2607.21857
Audio deepfake detectors are trained to distinguish genuine speech from synthetic speech and often perform well on standard benchmarks. Yet the same detector that achieves less than 1% error on one dataset can see its error rate increase twentyfold when evaluated on a different dataset. We argue that one contributing factor is speaker-identity reliance: standard training corpora correlate speaker identity with the genuine/synthetic label, allowing detectors to partially rely on speaker-related cues rather than synthesis artifacts alone. We propose the Identity Sensitivity Score (ISS), a per-utterance diagnostic that quantifies how much a detector's output changes across different speaker identity contexts. ISS requires no ground-truth labels at inference time and can be computed from the detector score and a pool of reference speaker examples. Across two detectors and two datasets, incorrectly classified utterances have ISS scores 29 to 52 times higher than correctly classified utterances, and ISS alone predicts misclassification with area-under-curve (AUC) up to 0.954. To test whether ISS actually captures identity-sensitive behavior rather than serving only as a proxy for prediction confidence, we apply voice conversion to 500 utterances and measure the resulting detector-score shift. Utterances flagged as identity-sensitive by ISS respond 19 to 30 times more strongly to this manipulation than utterances flagged as stable. These results position ISS as a practical inference-time diagnostic for speaker-dependent failure analysis in audio deepfake detection.
https://arxiv.org/abs/2607.21820
Neural audio codecs are challenging transformations for audio watermarking because they re-encode, quantize, and resynthesize speech. This paper investigates continuous latent-space watermarking for codec robustness. Instead of adding a watermark only to the waveform or spectrogram, we embed a 32-bit message into the continuous latent representation of a codec-like speech autoencoder. The pipeline uses a SEANet-style encoder-decoder, a Conformer-based message embedder, RVQ-guided latent decomposition, and a latent-domain detector trained under signal-processing and neural-codec transformations. Rather than proposing a final universal watermarking baseline, we characterize the trade-offs that appear when the watermark carrier is moved before neural decoding. On 48 kHz speech, EnCodec-aware training improves EnCodec-24k bit accuracy from 78.8% to 95.6% and 97.1%, while PESQ decreases from 3.727 to 3.514 and 3.427.
https://arxiv.org/abs/2607.21132
Transformers with global attention capture long-range dependencies but can miss the fine-grained local continuity crucial for speech separation. We propose TF-MossFormer, a time-frequency transformer that combines local and global attention to jointly model short- and long-range contexts for monaural speech separation. At its core is a content-aware sliding-window attention mechanism that dynamically adapts receptive fields for stronger local interactions, avoiding the rigidity of static convolutions. Unlike time-domain chunk-based methods, TF-MossFormer leverages the 2D spectrogram to model structure along both time and frequency axes. Convolutional gating between attention layers further improves feature selection and information flow. TF-MossFormer achieves SI-SDRi of 22.6, 24.0, and 24.4 dB on WSJ0-2Mix with 5.9M, 16.9M, and 25.4M parameters, respectively, outperforming prior approaches.
https://arxiv.org/abs/2607.21128
In this work, we propose an interpretable framework for speech deepfake detection based on artifact-specific expert models. Rather than relying on black-box decisions, the framework provides human-understandable evidence, which is critical in high-stakes settings. Each expert is trained to detect a specific speech synthesis artifact, and its output is calibrated into a log-likelihood ratio that serves as an interpretable evidence score. We evaluate five artifact-specific experts and show that, with proper calibration, they can capture their target artifacts and produce meaningful evidence. Importantly, each expert estimates only the presence of its assigned artifact rather than directly performing the final decision. Their outputs are aggregated into an ensemble to produce the actual real-versus-fake classification, while maintaining interpretability by indicating how strongly each expert supports or contradicts a fake classification. Results show that artifact-specific experts capture interpretable signals of synthetic speech across multiple generation pipelines.
https://arxiv.org/abs/2607.21127
Advances in AI-based voice conversion have enabled a wide range of media applications, including films, audiobooks, and games. However, most research and public benchmarks still focus on natural human speech, leaving designed vocalizations, such as monster growls and robotic voices, underexplored, partly due to the lack of publicly available resources. To address this gap, we introduce the Designed Vocalizations Dataset, constructed by curating diverse raw vocal sources, including speech and animal vocalizations, and applying professional vocal effects processing to produce corresponding effect modified variants. We further provide a standardized test set with explicit seen/unseen splits over source timbre groups and preset styles to assess generalization under controlled conditions. Finally, we report baseline benchmark results to support reproducible evaluation and future research. The dataset and demo samples are available at this https URL.
https://arxiv.org/abs/2607.20951
Continuously recorded high-resolution waveform measurements provide rich information about fast power system dynamics. However, they require automated methods to identify events. This problem is addressed by developing a spectrogram-based framework to jointly detect, localize, and classify events in real-world continuously recorded waveforms at the terminal of an Inverter-Based Resource. We recast this problem as a temporal object detection problem on spectrogram images, as they capture the transient and harmonic signatures more explicitly than in raw waveform data. Each time-series waveform is transformed using the short-time Fourier transform, and the resulting per-channel spectrograms are stacked as a tensor for event detection. We benchmark this method against a detector operating directly on raw time-series measurements. Experiments on single-phase disturbances and three-phase faults demonstrate that the proposed spectrogram method consistently improves event detection, localization, and classification over the raw waveform baseline.
https://arxiv.org/abs/2607.20817