Audio deepfake detectors often degrade when generators, corpora, or recording conditions change. We use a Diffusion Transformer (DiT), trained only on bona fide speech, as a frozen reconstruction probe. Reconstructions at masking ratios 0.5, 0.75, and 0.9 yield explicit multi-ratio residual maps. Because these residuals are domain sensitive, our audio-anchored detector passes the projected frozen-WavLM auditory representation into the fusion sum without gate-based attenuation and uses residuals only as a scalar-gated additive correction. The pre-specified seed-42 run obtains 6.5442% EER / 0.18456 min-DCF on ASVspoof 5 Eval and 13.8372% / 0.36921 on ITW Full; three-seed means are 6.8885 (0.3308)% and 15.3328 (2.0719)%. The latter is below a separately optimized WavLM-ResNet18 reference under both supervision settings. Auxiliary supervision raises dynamic competitive fusion from 18.4007% to 25.2968% mean ITW EER, worsening all three seeds. The results support reconstruction residuals as complementary evidence and motivate a non-competitive auditory path for ASVspoof 5-to-ITW transfer, without claiming a componentwise causal ablation of anchoring alone.
https://arxiv.org/abs/2607.26472
Guitar tablature transcription predicts the string and fret position for each note so that the resulting tablature reproduces the target musical part. Prior sequence-to-sequence approaches have shown promising results on large-scale datasets, but their generalization behavior across different dataset scales remains less explored. In this work, we propose a guitar tablature transcription framework with explicit note-event tokenization and regularized training. The proposed decoder token representation incorporates note-event tokens together with TAB tokens, allowing note boundaries, pitch-related events, and string-fret positions to be represented more explicitly. We evaluate the proposed framework on DadaGP, a large-scale dataset, and Francois Leduc, a small-scale dataset. Our method improves tablature accuracy over the Fretting Transformer baseline on DadaGP, with especially strong gains when trained directly on the small-scale Leduc dataset. We further introduce a pitch-validity constrained decoding strategy that masks pitch-invalid TAB candidates during generation rather than correcting them after decoding and simultaneously preserves the original timing and note structure from the input. This constraint improves tablature accuracy and provides a controlled setting for measuring how much error remains after pitch-invalid predictions are removed. Our code will be released at:this https URL
https://arxiv.org/abs/2607.26440
Open Sound Control (OSC) is the dominant wire protocol for real-time parametric control in professional audio, live performance, and virtual production. Large language models can emit plausible OSC, but they hallucinate addresses, mishandle type tags, and fail under paraphrase- unacceptable in show-critical contexts. We present LLM4OSC, a local-first architecture in which models propose structured intent JSON over a human-reviewed device profile, and deterministic code validates, clamps, and encodes before any UDP send. We introduce a frozen evaluation harness with CI gates on wrong-send rate: mismatches that would still pass validation and transmit. On a Max/MSP hero profile (12 patterns; 8 literal + 8 paraphrase + 4 refusal cases), after profile tag enrichment, symbolic slot fill, NL refine, and a retrieval confidence gate, backends B0--B3 all pass frozen gates (100% semantic accuracy, 0% wrong-send). B0 (rules) remains the production default at ~0.05ms; LLM backends remain ~3-4s. Historical few-shot B2 accuracy of 62.5% rises to 100% on this suite only after symbolic post-processing- not because the 0.5B model alone becomes show-safe. We argue for propose-validate-send and wrong-send rate as first-class metrics for language-to-control systems.
https://arxiv.org/abs/2607.26024
Despite the rising popularity of immersive audio, binaural music remains underexplored in music information retrieval (MIR), particularly regarding the task of music source separation (MSS). While existing stereo MSS models can process binaural audio, they often degrade the spatial quality of the separated stems and undermine listener immersion. Through a perceptual study comparing binaural and stereo MSS outputs, we evaluate how well objective spatial distortion metrics correlate with human perception. Our findings reveal varied agreement between these metrics and human judgment, highlighting a lack of reliability when used to evaluate binaural music tasks. Specifically, we find that Interaural Time Difference (ITD) estimation is highly sensitive to noise and separation artifacts. In evaluating two alternative ITD estimation methods, we uncover a critical trade-off between robustness and accuracy, particularly for narrow-band instruments like bass. These results underscore the need for accurate, interpretable spatial metrics designed for binaural music to develop models that preserve source localization and listener immersion.
https://arxiv.org/abs/2607.25919
The Information Dynamics of Music model (IDyOM) has played a central role in computational accounts of musical expectation by providing event-by-event estimates of uncertainty and surprise from symbolic musical sequences. However, its reference implementation is difficult to integrate with contemporary Python workflows, and its internal memory structures are not easily accessible for inspection or modification. We introduce GraphIDyOM, a graph-native Python reimplementation of IDyOM that represents long-term and short-term predictive memories as explicit graph objects while preserving the model's variable-order, multiple-viewpoint architecture. GraphIDyOM returns event-wise information content and entropy, exposes internal memory structures for analysis and export, and supports access through a local server. We validate the implementation against the original Lisp IDyOM across single, projected, and multiple-viewpoint configurations, and benchmark its coverage and computational performance against a recent reimplementation. We then demonstrate how the explicit memory representation supports network analysis of learned memories, projection of expectation values onto musical networks, recency-sensitive memory retrieval, and interactive applications. GraphIDyOM therefore provides both a faithful and accessible reimplementation of a widely used model and a platform for studying musical expectation through memory, topology, and interaction.
https://arxiv.org/abs/2607.25787
We present a novel method for AI-generated music detection in scenarios where the models that generated the input samples are unknown to the detector (e.g., from a newly released service). Since 2023, there has been a multiplication of user-friendly AI-music generation services (e.g., Suno, Udio), along with regular updates and new features. There is thus a need to address synthetic content detection in an unsupervised way to adapt to this rapidly changing context. This angle has not been much studied in music yet. We propose to study two tasks. First, discriminating between real and synthetic music. This may be approached in a one-class manner, namely, using some baseline real music and trying to determine what falls outside. Second, zero-shot multi-class identification, which is more similar to an unsupervised clustering task on a mix of real and various AI-music generations, where the goal is to create coherent, high-purity clusters. We propose a combination of a previously proposed artifact-extraction method, on top of which we apply non-negative matrix factorization and simple classification and clustering methods. We achieve excellent performance on both tasks, showing that the proposed methods may be used to monitor large-scale catalogs that may receive AI-generated samples from various newly released generative models.
https://arxiv.org/abs/2607.25530
Large audio-language models (LALMs) convey acoustic evidence to language decoders through native audio tokens, yet the internal roles of these tokens remain poorly understood. Using temporal audio grounding as a diagnostic setting, we examine how language-model fine-tuning affects the layerwise semantics, decoder accessibility, and temporal output alignment of native audio-token states through four complementary analyses: query-conditioned token semantics, calibrated token readout, temporal-window probes, and residual-delta erasure during generation. Alongside substantial improvements in temporal localization, semantic analysis of Qwen2.5-Omni shows that latent evidence for queried events is already present before fine-tuning and that the audio tokens most strongly aligned with the queried event appear at similar temporal positions before and after fine-tuning. After fine-tuning, event-related information in audio tokens becomes more accessible to the decoder, especially in early and middle layers, and a cross-checkpoint control shows that this improvement arises primarily from decoder adaptation. Temporal probes show that the base checkpoint already contains recoverable information about annotated windows and that fine-tuning mainly improves alignment with each checkpoint's own predicted temporal support. Residual-delta erasure further shows that removing audio-token updates within predicted windows harms timestamp generation more than removing the same number of randomly selected updates. The same broad improvements in decoder readability and prediction alignment also appear in Qwen2-Audio. Together, these results support a semantics-to-readout account in which grounding fine-tuning helps the decoder read existing event evidence and connect it more reliably to temporal outputs.
https://arxiv.org/abs/2607.25355
Some text-to-speech systems ship a synthesis model and preset style vectors but not the reference encoder that turns audio into such a vector. The model still accepts a style vector; a user with a voice of their own cannot produce one. We solve for that input directly, inverting the released pipeline by gradient descent: every weight stays frozen and only the style vector is optimized, against time-pooled WavLM statistics of one recording. Because the objective discards the time axis, the synthesized text may differ from the recording, so no transcript and no alignment are needed. On 154 speakers from two corpora, ECAPA-TDNN similarity rises from 0.132 to 0.413 and ResNet from 0.099 to 0.401, improving for every speaker; a verifier at its equal-error point accepts 53% of the recovered voices as the target, against 1% for the presets they start from.
https://arxiv.org/abs/2607.25351
This is an implementation and measurement study of what it costs to run a streaming speech enhancer on a CPU. We port FastEnhancer-Medium at 48 kHz to faster-enhancer.c, a C runtime with six int8 GEMM tiers selected at initialization, leaving architecture and weights untouched. One Apple M2 core reaches 0.069 real-time factor, against 0.230 for the fp32 ONNX Runtime graph on the same machine, a 3.3x speedup. A Galaxy S23+ (Snapdragon 8 Gen 2) reaches 0.096. The speedup comes from specializing every layer of the runtime around one fixed model. Activation ranges are recomputed per frame, so no calibration set is needed; the k=3 convolutions use Winograd F(2,3); cross-stage state is fp16; the GRU and the dequantization epilogues are fused; and nothing is allocated after startup. Over 824 VoiceBank-DEMAND utterances the engine tracks fp32 to within -0.006 PESQ and -0.08 dB SNR. Speed alone does not settle deployment cost. The enhancer holds a fraction of a core for as long as the microphone is open, so its real-time factor is a duty cycle. A benchmark races through a file; an audio callback does not. Pacing to the 6.67 ms deadline costs 4.2x per frame, saves 49% of the energy, and leaves the cheapest core placement missing 96% of its deadlines. All SIMD tiers within an architecture family emit byte-identical output. The runtime is released as a dependency-free library.
https://arxiv.org/abs/2607.25350
Amyotrophic lateral sclerosis (ALS) progressively impairs speech motor control, making acoustic analysis a promising biomarker for severity and progression estimation. We propose a subject-level graph framework that aggregates multiple phonation recordings into a unique k-nearest-neighbor graph built from pretrained SSL embeddings of 2s segments. We compare four SSL front-ends (wav2vec 2.0, HuBERT, data2vec-audio, and UniSpeech-SAT) and five graph neural networks (GCN, residual GCN, GAT, GraphSAGE, and GIN) on the SAND dataset tasks (339 participants: 205 ALS, 134 control): 5-class dysarthria severity and 4-class ALSFRS-R progression prediction. On the official validation set, the best configuration (HuBERT+GIN) achieves macro-F$_1$ of 0.73 for Task 1 and 0.69 for Task 2, outperforming SAND validation baselines (0.61 and 0.58). These results highlight the potential of combining GNNs with pretrained cross-lingual speech representations for low-resource ALS detection and progression monitoring.
https://arxiv.org/abs/2607.25284
Modern policing faces a "visibility paradox" where law enforcement agencies possess petabytes of Body-Worn Camera (BWC) footage that remains largely unutilized for accountability or systemic review due to the prohibitive labor costs of manual transcription. This research presents a framework for adapting the OpenAI Whisper architecture to the unique acoustic and linguistic challenges of the policing environment. By employing Parameter-Efficient Fine-Tuning (PEFT) through Low-Rank Adaptation (LoRA), we address the significant performance degradation observed in zero-shot models when confronted with high-stress scenarios, sirens, and radio interference. Crucially, we demonstrate that this adaptation is feasible on consumer-grade hardware (Acer Nitro local machine with NVIDIA 4GB GTX GPU) using 8-bit quantization and gradient checkpointing. We further integrate these transcriptions into a symbolic reasoning pipeline using a domain-specific ontology to transform raw audio into evidence-linked incident graphs, achieving a 93.7% lexicon mapping rate for the advancement of procedural justice and transparency.
https://arxiv.org/abs/2607.27245
Body-worn camera (BWC) audio presents unique challenges including high ambient noise, variable recording conditions, and multiple overlapping speakers that make automated transcription and speaker labeling challenging. We propose a dual-path conversational intelligence framework that preprocesses raw BWC audio, separates the processing pipeline into a diarization branch and an ASR branch, and fuses their outputs. The diarization branch uses a denoising front-end (DeepFilterNet), voice activity detection (VAD), and NVIDIA's Multi-Scale Speaker Diarization Decoder (MSDD) with TitaNet embeddings. The transcription branch uses loudness normalization and WhisperX (Large-v3) with forced alignment and probability-guided speech segmentation. Finally, word-level speaker attribution is performed by assigning each recognized word to the speaker segment with the greatest temporal overlap. We evaluate the proposed framework on a curated body-worn camera dataset constructed from publicly available U.S. and U.K. police body-worn camera recordings. Experimental results demonstrate that task-specific acoustic conditioning and probability-guided speech segmentation improve speaker diarization, transcription, and word-level speaker attribution under challenging body-worn camera recording conditions. The proposed modular architecture provides an extensible foundation for future speaker-aware conversational intelligence systems.
https://arxiv.org/abs/2607.24958
Latent Acoustic Mapping (LAM) is a self-supervised learning method that generates high-resolution spherical acoustic maps from multichannel recordings without labelled data, matching supervised baselines on direction-of-arrival benchmarks. However, LAM degrades significantly with sparse 4-channel arrays, as the low-resolution cross-spectral matrix captures far less spatial information than the 32-channel inputs LAM was designed for. We benchmark a diverse set of upsampling architectures, spanning lightweight convolutional networks, iterative back-projection models, physics-informed networks, and generative adversarial approaches. We also study whether aligning these upsamplers with LAM by training them jointly or in different stages helps preserve the spatial structure that LAM depends on. Results show that the original full-resolution LAM is the strongest, that separately trained lightweight models are the most competitive learned approaches, and that representation alignment between the upsampler and LAM matters more than model complexity.
https://arxiv.org/abs/2607.24463
With the rise of large pre-trained foundation models for automatic speech recognition new challenges appear. While the performance of these models is good, runtime and cost of inference increases. One approach to make use of their strength while retaining efficiency is to distill their knowledge to smaller models during training. In this work, we explore different CTC-based distillation variants, focusing on blank token handling. We show that common approaches like blank elimination do not always work off the shelf. We explore new blank selection patterns as a potential sweet spot between standard knowledge distillation and blank elimination mechanisms. Through the introduction of a symmetric selection method, we are able to remove the CTC loss during knowledge distillation with minimal to no performance degradation. With this, we make the training independent from target labels, potentially allowing for distillation on untranscribed audio data.
https://arxiv.org/abs/2506.01503
Recent advances in speech language models leverage discrete speech representations from pretrained codecs to enable scalable training and generation. However, existing codecs are primarily optimized for compression without accounting for the autoregressive nature of language model training, resulting in suboptimal performance when modeling compressed speech tokens. In this work, we revisit speech discretization from a generative modeling perspective and propose a novel framework that explicitly aligns speech tokenization with autoregressive training. Our approach introduces autoregressive-compatible constraints during codec training, encouraging token sequences that exhibit temporal consistency and predictability. In addition, we propose a heterogeneous downsampling strategy for different layers of speech tokens, distinguishing semantic from acoustic layers, to improve the alignment between semantic tokens and corresponding textual content. Extensive experiments across multiple benchmarks demonstrate that our method bridges the gap between speech compression and generative modeling, enabling more effective continued pretraining of existing language models on speech data. The approach consistently improves performance across multiple codecs, validating its generality and applicability to diverse speech modeling scenarios.
https://arxiv.org/abs/2609.04237
Acoustic biomarkers show promise for detecting Alzheimer's Disease (AD), yet whether the cues driving diagnostic AI align with those salient to human listeners is underexplored across languages and genders, where pathological markers and perceptual strategies differ. We train models to predict clinical AD status (pathology) and human perceptual scores across Mandarin and Greek, male and female speakers. Using SHAP for interpretability and statistical models for validation, we compare feature importance by subgroup. Results reveal a context-dependent divergence: pathological-perceptual alignment is significant for Mandarin and female speakers but disappears for Greek and male speakers, where pathology models did not exceed chance; this is a failure mode that population-specific auditing surfaces. Global Explainable AI (XAI) explanations can mask critical demographic divergences, highlighting the need for population-specific explainability auditing for equitable deployment of clinical speech AI.
https://arxiv.org/abs/2607.23977
Digitized musical heritage collections offer new opportunities to examine how stylistic traditions change over historical time, but computational analyses often reduce musical works to static classifications or similarity scores. This article proposes a representation-to-dynamics framework for studying cross-cultural harmonic change in Western art music. Starting from symbolic chord sequences, we derive contextual chord embeddings, project work-level representations into a shared harmonic space, and reconstruct country-level trajectories through temporally causal Kalman filtering. These trajectories are then modeled with DeGroot and Friedkin--Johnsen dynamics, yielding interpretable influence-like networks and estimates of stylistic anchoring. We apply the framework to a curated corpus of 480 dated works from 1875 to 1940 across Russia, France, Germany, Austria, and a heterogeneous ''Others'' group. Models fitted on 1875--1925 are evaluated through recursive forecasts for 1930--1940, testing whether the estimated dependency structure remains informative across a potentially changing historical and stylistic regime. The estimated trajectories and influence patterns are broadly consistent with established music-historical accounts of late Romantic and early modernist exchange, including the close relationship between German and Austrian traditions and historically plausible cross-currents between Russian and French traditions. PCA-variance-weighted estimation provides modest improvements while preserving a single interpretable influence network. Rather than treating the estimated matrices as direct causal evidence, the framework offers a reproducible quantitative layer for cultural heritage research, complementing archival and musicological interpretation.
https://arxiv.org/abs/2607.23957
Speech emotion recognition (SER) is a crucial component of human-computer interaction, attracting extensive attention from both industry and academia. However, existing SER systems typically assume alignment between vocal tone and lexical semantics, overlooking the real-world scenarios that involve tone-word conflict-where the emotion conveyed by speech contradicts the literal meaning of the words. To bridge this gap, we introduce TWIN-SER (Tone-Word Incongruent SER), a benchmark for systematic evaluation under acoustic-semantic incongruence, and show that state-of-the-art models degrade severely under such incongruence. To address this, we propose DAS (Disentangled Acoustic-Semantic fusion), a framework that mitigates tone-word conflict by explicitly disentangling acoustic and semantic pathways, selecting informative high-energy embeddings, and adaptively fusing them via a lightweight query-based attention mechanism. Specifically, DAS comprises three crucial modules: i) a heterogeneous feature extraction module that separately captures complementary acoustic and semantic representations from raw input; ii) a high-energy embedding selection module that identifies and retains the most discriminative embeddings; and iii) a Q-Former combination module that bridges the two pathways through cross-attention, enabling robust emotion prediction under incongruent conditions. Extensive experiments demonstrate that DAS consistently outperforms existing methods in tone-word conflict scenarios, as well as in standard in-domain and zero-shot settings. Our code and datasets are available at this https URL
https://arxiv.org/abs/2609.04236
This paper presents a data-driven approach to automatic blind equalization of audio by predicting log-mel spectral features and deriving an inverse filter. The method uses a deep neural network, where a pre-trained model provides semantic embeddings as a backbone, and only a lightweight head is trained. This design is intended to enhance training efficiency and generalization. Trained on both music and speech, the model is robust to noise and reverberation. Objective evaluations confirm its effectiveness, and subjective tests show performance comparable to that of an oracle that uses true log-mel spectral features, indicating that the model accurately estimates the desired characteristics, with remaining limitations attributed to the filtering stage. Overall, the results highlight the potential of the method for real-world audio enhancement applications.
https://arxiv.org/abs/2607.23846
Voice conversion (VC) poses a significant threat to biometric security by allowing attackers to impersonate target speakers. In forensic contexts, recovering the source speaker's identity from converted audio is vital for narrowing the field of suspects. To address this, we propose TRIDENT, a retracing framework designed to restore a source speaker's original identity from a converted audio sample. TRIDENT utilizes a three-pronged architecture consisting of a primary extractor and two auxiliary branches. The first auxiliary branch identifies the underlying voice conversion mechanism. This design acknowledges that even if the exact conversion strategy is unknown, a high-performance model adopted by the attacker is typically a derivative or variant of established mainstream ones. The second auxiliary branch extracts a latent representation of the target speaker, facilitating the isolation of target-specific traits from the composite converted audio sample. Finally, the main extractor leverages insights from both auxiliary branches to decouple confounding factors and distill a highly discriminative representation of the source speaker's identity. Experimental results demonstrate that TRIDENT achieves an accuracy as high as 90.99% against 7 state-of-the-art voice conversion methods. Furthermore, TRIDENT maintains robust performance under challenging conditions, including telephony channels, unseen languages, and adaptive scenarios.
https://arxiv.org/abs/2607.23650